Hafta | Teori Konu Başlıkları |
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1 | Amerika'nın kölelik Tarihi: /Kaynak: Berlin, I. (2004). Generations of Captivity: A History of African-American Slaves. Harvard UP./Holt, Th. C. (2011). Children of Fire: A History of African Americans. New York: hill and Wang. |
2 | Afrika kökenli Amerikalıların hareketi/ Kaynak: Kix, P. (2023). You Have to Be Prepared to Die Before You Can Begin to Live. Celadon Books./ Garrow, D. (2015). Bearing the Cross: Martin Luther King , Jr. And the Southern Christian Leadership Conference. Open Road Media. |
3 | Afrika kökenli Amerikalıların hareketi ve sonrası/ Kaynak: Kix, P. (2023). You Have to Be Prepared to Die Before You Can Begin to Live. Celadon Books./ Garrow, D. (2015). Bearing the Cross: Martin Luther King , Jr. And the Southern Christian Leadership Conference. Open Road Media. |
4 | Baldwin'in "Sonny's Blues"unda ırkçılık ve Afrika kökenli Amerikalıların var olma çabaları / kaynak: Young, Al (ed.) (1996). African American Literature: A Brief Introduction and Anthology. Berkeley: U of California P./Albert, R. (1984). “The Jazz-Blues Motif in James Baldwin’s ‘Sonny’s Blues’.” College Literature, 11.2 (Spring 1984). 178-185. |
5 | Baldwin'in "Sonny's Blues"unda Jazz/Blues ve Afrikalı kültürel miras/ kaynak: Bruck, P. (1977). The Black American Short Story in the Twentieth Century. John Benjamins. /Baker, H. A., Jr. (1983). Singers of Daybreak: Studies in Black American Literature. Washington, D.C.: Howard UP. |
6 | Baldwin'in "Sonny's Blues"unda Jazz/Blues ve Afrikalı kültürel miras/ Kaynak: Baldwin, J. (2012). Notes of a Native Son. Boston: Beacon P./Schwarz, B. C. kaplan (2011). James Baldwin: America and Beyond. Michigan P. |
7 | Ara sınav: 20. Yüzyılda Afrika kökenli yazarların öykülerine genel bir bakış/ kaynak: Bruck, P. (1977). The Black American Short Story in the Twentieth Century. John Benjamins. /Baker, H. A., Jr. (1983). Singers of Daybreak: Studies in Black American Literature. Washington, D.C.: Howard UP. |
8 | 20. Yüzyılda Afrika kökenli yazarların öykülerine genel bir bakış/ kaynak: Bruck, P. (1977). The Black American Short Story in the Twentieth Century. John Benjamins. /Baker, H. A., Jr. (1983). Singers of Daybreak: Studies in Black American Literature. Washington, D.C.: Howard UP. |
9 | Walker'ın "Everyday Use"unda ırkçılık ve Afrika kökenli Amerikalıların var olma çabaları: Bağımsız bir devlek kurma hayali/ kaynak: Brewer, K. (1981). Writing to Survive: An Interview with Alice Walker. Southern Exposure 9 (2): 12-15./Eaton, K. C. (2008). Womanism, Literature, and the Transformation of the Black Community, 1965-1980. New York: Routledge. |
10 | Walker'ın "Entertaining God"unda ırkçılık ve Afrika kökenli Amerikalıların var olma çabaları/Kaynak: Bloom’s Modern Critical Views: Alice Walker. New York: Infobase Publishing. 169-187. /Gillespie, C. (2011). Critical Companion to Alice Walker. A Literary Reference to her Life and Work. New York: Facts on File. |
11 | Walker'ın "Entertaining God"unda ırkçılık ve Afrika kökenli Amerikalıların var olma çabaları/ Kaynak: Harold Bloom (ed.). Bloom’s Modern Critical Views: Alice Walker. New York: Infobase Publishing. 169-187. /Gillespie, C. (2011). Critical Companion to Alice Walker. A Literary Reference to her Life and Work. New York: Facts on File. |
12 | Walker'ın "In Search of Our Mother's Gardens"?Kaynak: hooks, bell. (1992). black looks: race and representation. Boston, MA: South End Press./ McMillan, L. (2007). “Telling a Critical Story: Alice Walker’s In Search of Our Mothers’ Gardens.” |
13 | Walker'ın "The Civil Rights Movement: What Good Was It?"?Kaynak: Christian, Mark. (2021). The Twentieth-Century Civil Rights Movement: An Africana Studies Perspective. Kendall Hunt./ Patrick B. Miller, Therese Frey Steffen, Elisabeth Schäfer-Wünsche (eds.). (2001). The Civil Rights Movement Revisited: Critical Perspectives. Münster: Lit Verlag |
14 | Genel Bakış: İzlek ve biçem/ Kaynak: Hill, P. Liggins, and B. Bell, et al., (eds) (1998). Call and Response: The Riverside Anthology of the African American Literary Tradition. Boston: Houghton Miffl in, 1998. /Hughes, L. (1997). “The Negro Artist and the Racial Mountain.” In The Norton Anthology of African American Literature, edited by Henry L. Gates, Jr., 1,267–1,271. New York: W. W. Norton. |