| 1 |
Giriş ve Modernizm - Thomas Hardy, “In Time of ‘The Breaking of Nations’” (1915) |
| 2 |
W. B. Yeats, “Easter, 1916” (1916) & Wilfred Owen, “Anthem for the Doomed Youth” (1917) |
| 3 |
T. S. Eliot, “The Love Song of J. Alfred Prufrock” (1915) |
| 4 |
T. S. Eliot, “The Love Song of J. Alfred Prufrock” (1915) |
| 5 |
W. B. Yeats, “Sailing to Byzantium” (1926) & T. S. Eliot, from The Waste Land, (1922) |
| 6 |
T. S. Eliot, from The Waste Land, (1922) |
| 7 |
T. S. Eliot, from The Waste Land, (1922) |
| 8 |
Vizeler |
| 9 |
Samuel Beckett, "Whoroscope" (1930) & W. H. Auden, “Musée des Beaux Arts” (1938) |
| 10 |
W. H. Auden, “Musée des Beaux Arts” (1938) & Edith Sitwell, “Still Falls the Rain” (1942) |
| 11 |
Ted Hughes, “A Woman Unconscious” (1959) & Sylvia Plath, “Metaphors” (1959) & “Electra on Azalea Path” (1959) |
| 12 |
Eavan Boland, “The War Horse” (1975) and Nuala Ní Dhomhnaill, “The Language Issue” (1990) |
| 13 |
Kathleen Raine, “Ah, many, many, are the dead” (2000) and Carol Ann Duffy, “The Woman in the Moon” (2011) |
| 14 |
Kate Tempest, “Prophet” (2014) |
