Yeni Müzikoloji'nin tanımı, amacı, kapsamı, yöntemleri ve Eski/Modern Müzikoloji'den farkları hakkında öğretim.

Yeni Müzikoloji'nin tanımı, amacı, kapsamı, yöntemleri ve Eski/Modern Müzikolojiden farklarını irdelemek.

Toplu, teorik, yüz yüze

Babbich, E. Babette: “Postmodern Musicology,” The Routledge Encyclopedia of Postmodernism, Ed. by. Victor E. Taylor, Charles E. Winquist, London and New York, Routledge, 2001, pp. 255-259; Emmerson, Simon: “‘Where next? New music, new musicology," EMS: Electroacoustic Music Studies Network-De Montfort/Leicester 2007, pp. 1-6; Griffiths, Dai: “What Was, or Is, Critical Musicology,” Critical Musicology, Vol. V (Special Edition), 2010-11, pp. 1-7; Hooper, Giles: The Discourse of Musicology, Burlington, Ashgate, 2006; Krims, Adam: “Postmodern Musicology in Combined Development: a Review of Judy Lochhead and Joseph Auner, eds, Postmodern Music / Postmodern Thought,” Twentieth-Century Music, Vol. I, No. 1, 2004, pp. 125–145; Miles, Stephen: “Critical Musicology and the Problem of Mediation,” Notes, Vol. LIII, No. 3, 1997, pp. 722–750; Olivier, Bert: “Lacan and Critical Musicology”, IRASM, Vol. XXXVI, No. 2005, pp. 135-158; Scott, Derek B.: From the Erotic to the Demonic: On Critical Musicology, Oxford, Oxford University Press, 2003; Wiley, Christopher: “Biography and the New Musicology,” The Ninth International Conference of The Departments of Musicology and Ethnomusicology, Faculty of Music, 19-22 April 2008, Belgrade, Serbia, City University of London Institutional Repository, 2010, pp. 1-22, vd.